Variable stereo linking and mid/side processing, with mid-only, side-only, M > S and S > M processing. Supports common Pro Tools hardware control surfaces Retina support on OS X and High DPI support on WindowsĬustom knee, variable from hard knee to a 72 dB soft knee (to enable saturation-like effects) Smooth lookahead (up to 20 ms), which can be enabled/disabled to ensure zero latency processing The 1176 uses a field-effect transistor (FET) to apply compression, which gives it a distinct brightness, presence, and energy. ![]() Released by Urei in 1967, it was the first peak limiter to use solid-state technology, instead of tubes. The loudness level complies with the Momentary mode of the EBU R128 / ITU-R 1770 standards The 1176 is arguably the most well-known compressor in the world. Program-dependent attack and release curvesĪccurate, large level and gain change meters, with peak and loudness level visualization. Side-chain EQ section, with customizable HP and LP filters, plus an additional freely adjustable filterįull Screen mode, offering a large level display and side-chain EQ controller Mix setting, which scales the gain change from 0% to 200% Gorgeous Retina interface, with (optional) animated level knee displays and accurate peak/loudness metering ![]() Range setting, which limits the maximum applied gain change Eight different compression styles, of which five are new in version 2: Vocal, Mastering, Bus, Punch and Pumping
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